Moreta: Dragonlady of Pern (1983) by Anne McCaffrey

moretadragonlady1stAs a kid who devoured Nancy Drew and Baby-sitters Club novels, then Kurt Vonnegut and Marion Zimmer Bradley as a teen, I can’t quite place where Anne McCaffrey’s Pern series would go on the recommended reads for child development chart.  Its style and content seem ideal for the ages 3 to 7 crowd, yet there are some sexy moments that seem a little too sophisticated for young kiddos. But I’m not sure an older child or young teen would buy the whole space-dragon on a medieval future world premise. I know I wouldn’t have.

Moreta: Dragonlady of Pern is the prequel to McCaffrey’s extensive Dragonrider series, which serves to explain the legendary tale of the famous dragonrider, Moreta, who is often referenced in the earlier-published, but later-occurring novels. Moreta is a dragonrider/dragonhealer/weyrleader who lived 1000 years prior to the events of the first published Pern novel. Little is known about her because the Pernese suck at recording history (they do this on purpose, sometimes), but her adventures and tragedies are immortalized in song and poetry. Basically, it’s a story about a story from the story. Continue reading

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Dragonquest (The Dragonriders of Pern #2) by Anne McCaffrey

dragonquest(1sted)How can two consecutive books from the same series be so vastly different? Despite the fact that Dragonflight and Dragonquest share weak writing, clunky dialogue, plot holes, the former is considerably more enjoyable than the latter. Dragonflight is an interesting story, with some writing mistakes. Dragonquest is just a boring story, written poorly. 

Click here for my review of Dragonflight: (The Dragonriders of Pern #1)

F’lar, the weyrleader of the dragonriders of Pern, is facing unrest among his people. Although the fight against the Thread phenomena has resumed after four hundred years, the Pernese are far from cohesive. The traditional old-timers resist progress, and the grouchy lord holders bristle at any dragonrider authority. F’lar must unify these groups in order to maintain his position as weyrleader and protect his planet. At the same time, F’lar is also entertaining the possibilities of dragon travel into outer space.

The pleasurability of the first novel, Dragonflight, is partly due to its tight structure as combined novellas. In Dragonquest,  McCaffrey has more space to amble and dally, and we see that loss of structure in pointless dialogue and dropped plot threads. In Dragonquest, there is a lot of standing around and talking. We experience boring meetings, in which people argue, and perspectives change jarringly, in order to inform the reader of each characters’ motivations. In some cases, characters abandon their argument a few chapters later, with no explanation. There is no action or context to develop or explain conflict. The reader is simply told through expository dialogue  or subtextual narration. It’s poor storytelling at its worst.

One of two things happened here: Either the success of the Pern novellas spawned the need for a sequel so rapidly that McCaffrey had little chance for the fleshing out and editing of a good story, or McCaffrey is a weak writer who just got lucky on her first Pern novellas.

Aside from the amateurish writing style, the focus on dialogue as a plot-moving device is downright boring. Writers: I attend enough boring faculty meetings at work, so please don’t make me read about them in your stories. (Only Susanna Clarke can get away with that, and that’s just because she’s perfect and writes boring so well, and with such purpose, in that tongue-in-cheek, British fashion of hers.) It’s also irritating that the dragons know everything, yet share so little without prompting, but no one invites them to these big important meetings. It seems to me that the lead bronze, Mnemorth, should be running the meetings.

Also, the strong, rebellious character of Lessa, who drove the action of the first novel, withers into a shadow of herself in this novel. She devolves into a boring housewife with little to contribute, while the rest of the characters lose the few dimensions afforded them from the first novel. The mean and grumpy lord holders behave like sniveling children, and F’lar and F’nor fumble around as bullies and elitists. To top it off, we see the introduction of fire lizards as pets, a plot thread that had promise of a good conflict, but fizzled like a Thread sprayed by agenothree. The fire lizards are essentially the Ewoks of Pern– cute, but unnecessary, but maybe that will change in later Pern stories.

Dragonquest touched upon some promising themes: tradition vs. progress, arrogance vs. honor, dragons vs. fire lizards, but none of these themes were elaborated in any satisfying way. The emphasis on petty dialogue made me feel as if I skipped the page with the action that caused the arguments. In some ways, Dragonquest feels like it was produced as a response to critics of the first novel. We see more attempts at scientific explanations and a meek effort to plug up previous plot holes (“If dragons can jump space and time, why not destroy the Thread at its source? Because oxygen!”) In other ways, Dragonquest feels like it might be a bridge novel paving the way for a later, and hopefully better, story. Despite my dissatisfaction with this book, I have hope that the next book will be better.

My advice to potential readers of the Dragonriders of Pern series: read Dragonflight, but skip Dragonquest.

*As I warned in my previous review of Dragonflight, avoid the Amazon ebook version of the early books in this series. They are riddled with typos, half the periods are missing, and common terminology, such as Pern, is misspelled regularly. The errors are particularly egregious in this novel, with some readers complaining that chunks of the novel are actually left out.

Dragonflight: (The Dragonriders of Pern #1) by Anne McCaffrey

It’s about humans who leave Earth for a new planet, shun existing technology, adopt feudalism, breed lizards into genetically enhanced dragons, and even figure out teleportation and time-travel (by way of the fire-belching dragons).

And beat their women.

Unfortunately, I read these books out of order. I tend to do this a lot, normally by accident. Other times, I think I can get away with reading the meat of the series, without the appetizer. In this case, I really thought that Dragonflight, born of McCaffrey’s Hugo Award winning novellas, was an appetizer and would be absorbed into the follow-up novel Dragonquest. I was correct in my assumption, sort of, but it was bland and unsatisfying, so I went back and read the first novel, and I’m so glad I did. Dragonflight is time-jumps more enjoyable than its sequel, the 1972 Hugo Award Best Novel nominee, Dragonquest.

DragonflightDragonflight is a combination of the 1968 Hugo Award winning novella “Weyr Search” and the 1969 Hugo Award nominated novella “Dragonrider.” In the far distant future, humans leave Earth for a new planet called Pern. They adopt an agrarian, feudal society and, after many passing centuries, all advanced technology is completely forgotten. (Where are the science rebels? Surely some surly teen, angry at his/her old-fashioned parents, might dig up an old spaceship artifact and start asking questions. Or uncover steam technology or penicillin, something…) Shortly after settlement, the strange phenomena of Thread, silver strands that fall from the erratically orbiting Red Star (a planet, not a star, dammit) pummel the land and destroy all organic material. For defense against the Thread, the Pernese decide to breed dragons from lizards, to whom they feed firestone, which gives the dragons indigestion and makes them belch fire, which burns the harmful Threads.

Dragonflight is about Lessa, a young woman who is discovered on a weyr search (sort of like “American Idol” for dragon riders, but with possible bodily injury). We learn that she can communicate with all dragons and related animals, and can even psychically manipulate humans into doing her bidding. (Why not just use this power to make the evil overlord kill himself and get her kingdom back?) She impresses the newborn queen dragon, Ramoth, and her spunk and sass bemuse the macho dragonriders. While she is settling in at her new home with the dragonriders, the first Thread attacks in four hundred years become a looming threat, but forgotten knowledge and a dwindling dragon population cause the dragonriders to scramble for ideas to defend their planet. Oh, and there’s time-travel!*

I poke fun at this story, but it was an enjoyable read. Lessa is a fun character, and her antics distracted me from the constantly occurring writing mistakes. This novel is flooded with clunky dialogue, jarring perspective changes within chapters, misused words (bemused, ahem), and an overuse of adverbs. McCaffrey often ruins the flow of dialogue by interrupting sentences in awkward places to give directional cues. But, the concept is intriguing, the action is strong, and the plot moves smoothly enough. The characters were likable, albeit the supporting cast was a little 2-dimensional, but I liked Lessa enough to overlook it.

However, I did take issues with a few things. Sensitive readers need to beware of the archaic male/female relationship behaviors, which I attribute to the feudal structure of Pern. In Dragonflight, we see domestic violence, references to forced sex, and sexual double standards. There is, however, a strong feminist element in Lessa’s character that I hope will result in some progressive changes throughout the series. (Unfortunately, the second novel, Dragonquest, seems to take a few steps back in this regard.)

I was also bothered by the mobster-like tactics among the dragonriders in their demand for tithes, while they contributed nothing to society. They stood by while Fax ransacked Lessa’s home of Ruatha and murdered her entire family. I couldn’t blame the lords for balking at the tithe requirement, when there had not been Thread to fight for over four hundred years. In fact, I most identified with the lords who lacked the blind faith to believe in the absent threat of space spores. Four hundred years is a long time to financially support a gang of dragon dudes who do nothing but warn of a vague, impending apocalypse. Couldn’t the dragonriders implement some sort of security task force, or offer labor services during the non-Thread years? Hell, my lawn guys are off-call firefighters.

But my main issue with the whole story: I just don’t buy the concept of a society that successfully purges itself of technology and scientific knowledge.  Science is too resilient, and no society is impervious to the birth of willful scientists. Some curious, rebellious mind is going to be born and turn the world upside down. I hope this is addressed somewhere in the sprawling Pern series. It would make some for interesting, and necessary, conflict.

Regardless of these major problems with the story, Dragonflight is a pleasurable read, with its interesting take on dragon lore, and a fun main character. And it is much better than its successor, Dragonquest. I’m actually sorry that it’s over, and I look forward to reading more about the Pern world.

*Interesting tidbit: The time-travel element was actually a suggestion by the editor, and not part of McCaffrey’s original idea. In 1967, it was probably brilliant, but it might seem a bit hackneyed to modern readers. Still, it helped to give the story a neat and tidy ending, with a few WTF twists, which sort of reminded me of the TV series Lost. (And, considering the poor writing style, I’m shocked an editor was involved at all. Apparently, ALL he cared about was the time-travel.)

**Avoid the Kindle ebook version of this novel. It is riddled with errors. Half the periods are missing and even Pern is misspelled in some places.