More from the nerddoomdeification category, Blood Music (1985) is Greg Bear’s multi-award-nominated and later SF Masterworked sci-fi novel about nanotech apocalypse by the hands of one single, sociopathic nerd. Like The Terminal Experiment (1995) that I discussed last week (to everyone’s terminal boredom, if the crickets were any indication— please bear with me, Zelazny is almost on deck), Blood Music relies on the actions of a sociopathic nerd protagonist to test out a dangerous and untested scientific hunch, with little thought or regard for the consequences. Another individual depicted as deity, if you please. Continue reading
The 2014 Hugo Awards ceremony is today, August 17th at LonCon3! As we count down to the big moment, let’s review the best novel nominees from previous decades.
1994 was a good year. The U.S. enjoyed an economic boom, gas was 99 cents per gallon, and Kim Stanley Robinson won the Hugo Best Novel Award for Green Mars!
The other nominees weren’t bad, either: Continue reading
I was afraid this novel would fall short of its titular promise, a bait-and-switch piece that neglects the physical feat of relocating an entire planet from one part of the galaxy to another, for a politically-charged story about a radical movement on Mars. Sure, I love political science (it was my undergrad major, after all), but you can’t name a novel Moving Mars and not move Mars. But then the characters started talking about quantum physics, and…
*Spoiler Alert* Continue reading