Back to the Hugos: 1985!

The Hugo Awards are this weekend! But time-travel Hugos are much more fun! So, let’s go back to the Hugos: 1985!

The member vote for Best Novel:

Neuromancer1emergence1ThePeaceWar2JobAComedyofJusticeTheIntegralTrees1
The Winner: Just a little book called Neuromancer. 

 

My pretend, retro Hugo ballot for Best Novel:

Neuromancer1emergence1TheIntegralTrees1ThePeaceWar2JobAComedyofJustice

Hugo voters, we actually almost agree! Neuromancer is tops, now that I’m accustomed to the wacked out, cyber megatext, and Gibson’s shifty show-don’t-tell-wait-don’t-even-show style. And Emergence became an instant favorite of mine, thanks to the insane plot twists, and despite the Russian-commies-are-evil gag. (Eh, it’s the eighties.)

As for the bottom of the ballot, all three books were just okay. I enjoyed The Integral Trees for those sexy sex scenes– haha, just kidding, those sex scenes were awkward as hell, but the weird physics and flying whales were pretty cool. The Peace War is a story I could easily picture on FX or USA or Lifetime television networks, and you can interpret that however you like.

I would probably No Award Heinlein. If I had grown up reading him, I’d be ready to tell him to fuck off by ’85. Probably sooner. (Definitely sooner.)

*****

According to some Schmuck Fuppy commentary I’ve seen around, 1985 was the death knell of the Hugo Awards– the final year that Hugo voters recognized deserving fiction, and just before the bleeding-heart libs Affirmative Actioned the fun out of science fiction, while the snooty lit-crits meta’d themselves. ‘Twas the year that Pew-Pew-Space-Cadet died… so many sadz…

But so many wrongz.

Pew-Pew-Space-Cadet died decades before 1985, and if anything is dead in the eighties, it’s the (liberal) (wild) (metatastic) New Wave movement, which left behind a great, big stink of drab, commercial fiction, and a regular rotation of reliably conservative authors (and some equally drab, commercial, liberal authors, let’s be honest). 1985 is certainly a conservative-heavy list, but that is more likely to repeat after 1985, rather than before.

So what are the Schmucks actually mourning after 1985? Is it an arbitrary, made up date, or, perhaps, is this misdirected sadness because they just happen to miss Neuromancer‘s “particular flavor”?

WARNING: Conservative enjoyment of Neuromancer may indicate latent liberal tendencies. Side effects include being sad, manufacturing controversy, and avoiding space opera throwbacks because feminine pronouns are scary.

Protector (1973) by Larry Niven

protectorIt took me over a week to read this little 200-page book, but not for any reason other than lack of time (and the embarrassment of reading the above pictured paperback in public*). I would have preferred to read it in one or two quick sittings, in order to match the pace and style of the story. The story itself covers lots of temporal space, taking place over a few centuries (and thousands of millennia, really), but Niven’s style is sparse and germane enough to skip over that unnecessary human content and get down to the brass tacks. “Time. Setting. Person. This is what happened. This is what the characters need to find out. This is how they investigate. And this is how a Bussard ramjet works.”

It sounds boring, but it’s not. Niven’s brochure-style writing is enriched by his imaginative ideas about human origins, evolution, and wonked-out space worlds with weird grav. And I really just stuck around for the sweet potatoes. <– this is fun (here, too!) Continue reading